![]() Just paint on that empty layer with Current Layer & Below set on the tool’s context toolbar-you’ll be removing objects without affecting the original image. Work non-destructively!The Inpainting Tool-like the Clone Brush Tool, Healing Brush Tool and Patch Tool-lets you apply inpainting strokes to an empty pixel layer directly above the image’s layer.Try removing both in one operation if you can! Watch out for shadows and reflectionsRemoving an object might be quick and easy but check for any leftovers-a person’s shadow or the reflection of an unwanted boat on the water.Use multiple strokesFor long thin objects (e.g., hairs) try using a small brush width and paint a little bit at a time. ![]() Try the shortcut keys to quickly size the brush to specific areas. Set an appropriate brush widthUse as small a brush width as you can, as this will preserve good pixels around the unwanted area. Use the Zoom Tool or Alt/Option+mouse scroll wheel down. Use zoomingGetting in close to your working area is always a great idea. Affinity’s Inpainting Brush Tool and Inpainting Fill features are equivalent to these. Extra data layers are also added to the UNet embedded inside the model these extra data layers are a key component to why inpainting models do better at inpainting than the standard model. ![]() If you are (or have been) a Photoshop user, you’ll have come across the Content Aware Move Tool and Content Aware Fill feature. An 'inpainting' model starts with a standard model and performs additional training for inpainting on top of that model. Creating a New Panorama in Affinity Photo 2.įor any leftover transparent region, you could also remove it using Select> Alpha Range> Select Partially Transparent, followed by Edit> Inpaint.
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